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another clout is passed between (the legs) and made fast behind.Desh Premee,Aakhir Kyon?KhudgarzShahenshahRam LakhanSaudagarKhuda Gawah and more)Shabbir also remained around in films like Paap Ki DuniyaTezaabAag Hi AagIlzaam and moreand many films like MardLove 86 and Pyar Kiya Hai Pyar Karenge then share the Rafi spoils And so we came to the very interestingalmost incredible fact that from 84 to late 1987 when Kishore Kumar passed awayShabbir and Aziz between them were actually recording more than Kishore was Back to Rafi after a break But when Kumar Sanu as a Kishore clone proved a sensation in 1990it was a short reprise of Aradhanaas the two Rafi-ians lost ground rapidly Sanu was sharing the Kishore legacy with AbhijeetVinod Rathod and Babul Supriyo In this phasenone of the assorted new Rafi naqals who tried to make their marks – Debashish DasguptaVipin Sachdeva and Mangal Singh – could make it But Rafi was so synonymous with Hindi film music that Udit Narayana singer with an original voice and style who emulated Rafis approach to playback vis-à-vis singing techniqueshot past Sanu in 1995indicating conclusively that short breaks like these reaffirmed the fact that the staple diet could only be Rafi Udits refined style revived the Rafi culture again in a freshoriginal packagingand the singer reigned till the early millennium when Sonu Niigaamalso a Rafi follower and (out of compulsion) an early clone of Rafi who had done cover version albums of Rafis songs for T-Seriesovertook Udit And by the time this happenedall the Kishore followers were on the fadeout run Though very choosy todaySonu is the most respected of the existing big names in playback Trained classically like Udithe is still the first choice for the song with depthcome PaheliJaan-E-Mann or Parineeta But even others like Roopkumar RathodSukhwinder Singh and Javed Ali are also treading the Rafi path The voice for all time Sonu Niigaam and Udit Narayanrightly enoughcan be considered the principal beacons of what can be termed the Mohammed Rafi School Of Playback Singing These trained singers have walked the tightrope between following Rafis versatile and unaffected style of singing without imitating the master singer Till the mid-millenniumcomposers as varied as Rajesh RoshanAnu MalikNadeem-ShravanAnand-Milind and Jatin-Lalit and many more music makers gave us innumerable delights that suggested Rafirecalled Rafi or craved for Rafi in the sense that they seemed to be made for him What else were scores like Rajesh Roshans KoiMil GayaAnu Maliks Border and RefugeeJatin-Lalits SangharshNadeem-Shravans Tumse Accha Kaun Hai and Anand-Milinds Qayamat Se Qayamat Tak and even Ismail Darbars DeewangeeSajid-Wajids Kya Yehi Pyaar Hai and Mujhse Shaadi Karogi and Sandesh Shandilyas Socha Na Tha And who other than Rafi could be conceived as inspiration for hit songs like Rajesh Roshans Ghar se nikalti hi (Papa Kehte Hain)Anu Maliks title-track from Main Hoon Na or Pritams Falak dekhoon (Garam Masala) And that is why Rafi is supremely relevant even today If ever some technology is developed whereby the exact voice of a past artiste can be put on a modern tunethe voice of Mohammed Rafi will dominate as much as it did from the late 40s to the early 80s And the ground reality is strong enough to motivate thought in that direction In the last few years alonedozens of songs across various composers seem tailor-made for Rafior give reasonableif not certaingrounds to suggest that Rafi seems to loom large even in the psyche of the current generation of composers So it is a subconscious desire to work with Rafi that makes a Pritamas late as in fusion-infested 2010compose the intense Phir mujhe dil beqaraar (Toh Baat Pakki) What was ARRahman thinking of when he made the almost Naushad-ian Qismat se tum humse mile ho in Pukar and the haunting Do qadam in Meenaxi – A Tale Of Four Cities besides the songs of Jodhaa Akbar like Kehne ko jashn-e-bahaaraa hai Shankar-Ehsaan-Loys Tanhayee (Dil Chahta Hai) and Kal Ho Naa Hos title-track and even Himesh Reshammiyas Apne to apne hote hain (Apne) all seem in Rafi terrainwhether by intent or default does not matter ClearlyRafi remains perennial in more than just the musical legacy he has left behind As KK puts it succinctly? 11am – 7pm For all the latest Lifestyle News, Nikhil Biswas, He left his footprints behind — boxes of books and photographs at friends’ houses, the world over. “My familiarity with Bangla literature was through Tagore.” he said. For most part of the glorious independent shlf1314.

This prophecy came true. the waiting for the eldest in the house to take his/her place at the head of the dastarkhwan and start the meal with a prayer; to us, saying “adaab” if some elder passed on a dish to us and being blessed with a “khush raho” — the meal was a way of life which has all but vanished. “However, which will report fourth-quarter and full-year results on Friday, HMD, The Nokia 3310 (2017) variant is a feature phone by HMD Global, Loftin confirmed Klein’s concerns. But they’d welcome anything that could help him function as independently as possible “because I think that’s what he really wants,s evident that Habib Faisal has a terrific ear.

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Written by Agencies | New Delhi | Published: February 19 2012 1:34 pm Related News Countries and states have turned into brands joining the advertising bandwagon like any other consumer product as stars like Amitabh Bachchan and movies such as ‘Zindagi Na Milegi Dobara’ become promotional tools. Who the hell is she?

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